Production Packages
ARRI ALEXA 35 With Arri Signature Prime
The ARRI ALEXA 35 is a 4.6K Super 35 digital cinema camera featuring a 17-stop dynamic range and REVEAL Color Science.Sensor Type: Custom 4.6K Super 35 CMOS (ARRI ALEV 4).Resolution : 4608 × 3164 (Open Gate).Dynamic Range: 17+ stops (approx. 1.5 stops more in highlights and 1 stop more in shadows compared to prior sensors).Sensitivity / ISO: EI 160 – 6400, with an Enhanced Sensitivity (ES) mode ranging from EI 2560 – 6400.Codecs: ARRIRAW, Apple ProRes (422 HQ, 422, 422 LT), and LogC4.Maximum Frame Rates: Up to 120 fps.Built-in ND Filters: Motorized internal full-spectrum neutral density filters (Clear, 0.6, 1.2, 1.8).Media: Codex Compact Drive Express 2TB.
ARRI ALEXA 35 With Laowa Proteus 2x Anamorphic
The ARRI ALEXA 35 is a 4.6K Super 35 digital cinema camera featuring a 17-stop dynamic range and REVEAL Color Science.Sensor Type: Custom 4.6K Super 35 CMOS (ARRI ALEV 4).Resolution : 4608 × 3164 (Open Gate).Dynamic Range: 17+ stops (approx. 1.5 stops more in highlights and 1 stop more in shadows compared to prior sensors).Sensitivity / ISO: EI 160 – 6400, with an Enhanced Sensitivity (ES) mode ranging from EI 2560 – 6400.Codecs: ARRIRAW, Apple ProRes (422 HQ, 422, 422 LT), and LogC4.Maximum Frame Rates: Up to 120 fps.Built-in ND Filters: Motorized internal full-spectrum neutral density filters (Clear, 0.6, 1.2, 1.8).Media: Codex Compact Drive Express 2TB.
ARRI ALEXA Mini With ARRI Ultra Prime Lens
With its compact, lightweight carbon body, the Arri ALEXA Mini Body with 4:3 and ARRIRAW complements the range of full-size ALEXA cameras, and is especially useful for capturing specialized shots. The self-contained ALEXA Mini can record UHD-resolution images with up to 14 stops of dynamic range. Its 35mm-sized CMOS sensor features a titanium mount and a 4:3 aspect ratio. The included 4:3 Open Gate, and ARRIRAW licenses enable ProRes recording in several widescreen options, as well as in-camera and external ARRIRAW capture. Use the preinstalled ARRI Look Library license to quickly apply any of 87 graded looks to your footage. Operate the ALEXA Mini via wireless remote control, using the MVF-1 viewfinder, or while viewing an onboard monitor. Its small size suits it for use with gimbals, handheld rigs, or quadcopters and for multicamera shots, and in tight quarters. The lens mount is interchangeable, opening up a wider choice of lenses such as EF-mount still lenses. The ALEXA Mini can make use of ARRI AMIRA mounts, a boon for shooters working with both units. Image quality, formats, and workflow are identical to those offered by other ALEXA models, enabling you to produce matching images across cameras, including in anamorphic mode. Record ProRes or ARRIRAW to an internal CFast card or externally to a Codex recorder (not included). Up to four ALEXA Minis can record simultaneously to one Codex recorder. The Mini's maximum frame rate of 200 fps (ProRes) enables you to avoid adding a separate camera for high-speed work. The ALEXA Mini's integrated lens motor control is a space-saving feature useful when using gyro-stabilized and other specialized rigs, eliminating the need for an external control box. Integrated Wi-Fi connectivity enables the use of iOS or Android devices for remote control. Remote control is also possible using the ARRI WCU-4 hand unit. The ALEXA Mini offers high-quality performance in underwater locations and other low-light settings. Built-in, motorized ND filters let you quickly respond to ambient light changes; this internal design also frees up a slot in your matte box for another filter. The ARRI LDS (lens data system) function is also built into the ALEXA Mini, enabling your AC to quickly adjust to changing parameters displayed on a control unit during a shot. Using the power and large pixels of the 4:3 ALEV III sensor, the ALEXA Mini records up to UHD 4K ProRes images with the dynamic range, skin tones, and true-to-life colors for which ARRI cameras are noted. Recording in Open Gate and MFX/ARRIRAW formats requires additional, downloadable licenses (not included). Looking ahead to future standards, the wide dynamic range of the ALEXA Mini makes it suitable for HDR displays, and its 0.75-200 fps speed range can be used for increasingly-popular HFR (high frame rate) capture modes.
ARRI Alexa Mini With ZEISS CP-3
World Media is a professional camera and film equipment rental house in Bangladesh, supporting filmmakers, cinematographers, production houses, agencies, television, OTT, documentary and commercial productions. Our journey began with a simple goal — to make professional filmmaking equipment more accessible to creators and production teams in Bangladesh. From cinema cameras and high-end lenses to lighting, monitoring, support equipment and complete camera packages, we provide carefully selected gear to meet the demands of modern productions. We understand that every project has its own visual language. That’s why our team focuses not only on providing equipment, but also on helping clients choose the right camera, lenses and accessories for their specific production needs. Whether it’s a feature film, television drama, documentary, commercial, music video, OTT production or international project, WorldMediaBD is here to support your vision with reliable equipment and professional service. Your vision. Our equipment. Let’s create something cinematic.
RED RANGER HELIUM 8K With Ultra Prime Lens
RED RANGER HELIUM Specification Description Sensor Type HELIUM® 35.4 Megapixel CMOS Effective Pixels 8192 x 4320 Sensor Size 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) Dynamic Range 16.5+ stops Max Data Rates Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) Max Frame Rates1 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) Playback Frame Rates (Project Time Base) 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions Best Available REDCODE® Settings1 5:1 REDCODE at 8K Full Format (8192 x 4320) and 24 fps 12:1 REDCODE at 8K Full Format (8192 x 4320) and 60 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 3:1 REDCODE at 4K Full Format (4096 x 2160) and 60 fps REDCODE RAW Acquisition Formats2 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x Apple® ProRes ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps Avid® Codecs DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps Construction Aluminum Alloy Weight 7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount) 7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock) Operating Temperature 0˚C to 40˚C (32˚F to 104˚F) Storage Temperature –20˚C to 50˚C (–4˚F to 122˚F) Relative Humidity 0% to 85% non-condensing Color Management Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing Audio Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Integrated dual channel 5-pin XLR, uncompressed, 24-bit 48 kHz Remote Control External R.C.P. WiFi antenna with SMA connector Ethernet, RS232, and GPI Trigger Monitor Outputs 3G-SDI (HD-SDI) and MON-1 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio Monitor Options DSMC2 Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2 RED® Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable. REDCINE-X PRO Delivery Formats 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 Video Editing Software Compatibility3 Adobe® Premiere® Pro, Avid Media Composer®, DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro®
RED RANGER HELIUM 8K With ZEISS CP-3
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Sony PXW-FX9 With Arri Ultra Prime Lens
World Media is a professional camera and film equipment rental house in Bangladesh, supporting filmmakers, cinematographers, production houses, agencies, television, OTT, documentary and commercial productions. Our journey began with a simple goal — to make professional filmmaking equipment more accessible to creators and production teams in Bangladesh. From cinema cameras and high-end lenses to lighting, monitoring, support equipment and complete camera packages, we provide carefully selected gear to meet the demands of modern productions. We understand that every project has its own visual language. That’s why our team focuses not only on providing equipment, but also on helping clients choose the right camera, lenses and accessories for their specific production needs. Whether it’s a feature film, television drama, documentary, commercial, music video, OTT production or international project, WorldMediaBD is here to support your vision with reliable equipment and professional service. Your vision. Our equipment. Let’s create something cinematic.
Sony PXW-FX9 6K Full-Frame Camera With ZEISS CP -3
Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses. The PXW-FX9 input and output features include 12G/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.
Sony FX5 With G-Master Lens
Complete Camera Package for Films, Television Drama, Web Series, and Commercials/TVC.
Sony FX5 With DZOFilm 1.5x Anamorphic Lens
Including Package :Sony FX5, DZOFilm Anamorphic Prime 3-Lens, Libec Tripods, Monitors, Card, Camera crew,
Sony FX3 With Zeiss CP3 Lens
Complete Camera Package for Films, Television Drama, Web Series, and Commercials/TVC.
Sony FX3 Camera, G-Master 6 Lens
Complete Camera Package for Films, Television Drama, Web Series, and Commercials/TVC.
Sony FX3 With DZOFilm Anamorphic Prime 3-Lens
Sony FX3 With DZOFilm Anamorphic Prime 3-Lens
Need a bespoke multi-camera package?
We regularly assemble custom configurations combining Super 35 A-cams with Full-Frame B-cams, anamorphic lenses, and specialized remote monitors.